Lauren Fair is Associate Objects Conservator at Winterthur Museum, Garden, & Library in Buffalo, New York. She also serves as Assistant Affiliated Faculty for the Winterthur/University of Delaware Program in Art Conservation (WUDPAC). Lauren was a participant in CHI’s NEH grant-sponsored 4-day training class in photogrammetry, August 8-11, 2016 at Buffalo State College. She posted an account of her experience in the class in her own blog, “A Conservation Affair.
This blog by Carla Schroer, Director at Cultural Heritage Imaging, was first posted on the blog site, Center for the Future of Museums, founded by Elizabeth Merritt as an initiative of the American Alliance of Museums. My organization, Cultural Heritage Imaging (CHI), has been involved in the development of open source software for over a decade. We also use open source software developed by others, as well as commercial software.
Our guest blogger, Emily B. Frank, is currently pursuing a Joint MS in Conservation of Historic and Artistic Works and MA in History of Art at New York University, Institute of Fine Arts. Thank you, Emily! I’ve been following the development and improvement of photogrammetry software for the past few years.
Our guest blogger, Emily B. Frank, is a senior conservator on the Sardis Archaeological Expedition. Currently she is pursuing a Joint MS in Conservation of Historic and Artistic Works and MA in History of Art at New York University, Institute of Fine Arts. Thank you, Emily! Sardis, the capital city of the Lydian empire in the seventh and sixth centuries BC, is often best remembered for the invention of coinage.
Our guest blogger, Matt Hinson, is a junior at the School of Foreign Service at Georgetown University in Washington, D.C. He spent the summer as an intern at CHI. Thanks, Matt! Screen shot from ISIS video of the destruction of Nimrud, April 2015 During my summer internship at Cultural Heritage Imaging (CHI), I learned a great deal about the danger facing many of the world’s treasures as well as the efforts to save them.
This is the second post by our guest blogger Dr. Leszek Pawlowicz, an Associate Practitioner in the Department of Anthropology, Northern Arizona University, Flagstaff, AZ, USA. He can be contacted at email@example.com. Thank you again, Leszek! Even in the age of digital photography, archaeology still relies heavily on old-school hand-drawn illustrations for documenting artifacts, particularly for publication.
Our guest blogger is Dr. Lothar Schmitt, a post-doc in the Digital Humanities Lab at University of Basel in Switzerland. Thank you, Lothar! For some people early prints are a boring topic, but a few specialists appreciate these crude woodcuts and engravings with their stiffly rendered religious subjects. There are reasons for this unusual predilection: Beginning in about 1400, prints became an increasingly important means to make images affordable for the general public.
Our guest blogger, Matt Hinson, is a junior at the School of Foreign Service at Georgetown University in Washington, D.C. Welcome to CHI, Matt! As a student majoring in International History, I’m interested in learning methods of interpreting history through the analysis of cultural heritage. Yet I’ve observed it is sometimes difficult to understand how to apply the knowledge I’ve gained through academics.
Our guest blogger is Dr. Leszek Pawlowicz, an Associate Practitioner in the Department of Anthropology, Northern Arizona University, Flagstaff, AZ, USA. He can be contacted at firstname.lastname@example.org. A longer version of this post can be seen at http://rtimage.us/?page_id=27.
Our guest blogger is Heidrun Feldmann, a PhD student in History of Art at the University of Basel and an assistant on the research project “Digital Materiality” at the Digital Humanities Lab there. Thank you, Heidrun! It is obvious that art historians need good reproductions of works of art to do their research. However, photographic images, which are static and two-dimensional, are not capable of reproducing the visual impression we have when we look at mosaics.
by Guest Blogger Eleni Kotoula, PhD student, University of Southampton, Archaeological Computing Research group Application of normal and microscopic RTI to artifacts derived from the Hellenistic-classical Derveni cemetery in Macedonia, Greece, demonstrates RTI’s contribution towards prevention, investigation, documentation and communication.